Vintage American postcard. Caricature by Al Hirschfeld. Caption on the back: “JULIE ANDREWS as the STAR! Drawn by the distinguished American artist, Al Hirschfeld, during a visit to the set of the Robert Wise Film, STAR !, directed by Robert Wise, produced by Saul Chaplin and released by 20th Century Fox.” Collection: Marlene Pilaete.
Al Hirschfeld (1903-2003) was a major 20th Century’s American illustrator, famous for his caricatures of celebrities, including Broadway and movie stars, singers, and politicians.
English film and stage actress, singer, and author Julie Andrews (1935) was a former child actress and singer who rose to prominence starring in such stage musicals as My Fair Lady and Camelot. She is best known for her roles in the films Mary Poppins (1964) and The Sound of Music (1965). Her voice spanned four octaves until it was damaged by a throat operation in 1997. In the 2000s she had a major revival of her film career in family films such as The Princess Diaries (2001) and the Shrek animated films (2004–2010).
Julie Andrews was born Julia Elizabeth Wells in Walton-on-Thames, England, in 1935. Her mother, music hall performer Barbara Wells (née Morris), was married to Edward C. ‘Ted’ Wells, a teacher of metal and woodworking, but Andrews was conceived as a result of an affair her mother had with a family friend. With the outbreak of World War II, Barbara and Ted Wells went their separate ways. Ted Wells assisted with evacuating children to Surrey during the Blitz, while Barbara joined Ted Andrews in entertaining the troops through the good offices of the Entertainments National Service Association (ENSA). Barbara and Ted Wells were soon divorced. Barbara remarried Ted Andrews in 1939. Julie had lessons at the Cone-Ripman School, an independent arts educational school in London, then with the famous concert soprano and voice instructor Lilian Stiles-Allen. She continued her academic education at the Woodbrook School, a local state school in Beckenham. Julie performed spontaneously and unbilled on stage with her parents for about two years beginning in 1945. She got her big break when her stepfather introduced her to Val Parnell, whose Moss Empires controlled prominent venues in London. Andrews made her professional solo debut at the London Hippodrome singing the difficult aria Je Suis Titania from Mignon as part of a musical revue called Starlight Roof in 1947. She played the Hippodrome for one year. In 1948 she became the youngest solo performer ever to be seen in a Royal Command Variety Performance. Julie followed her parents into radio and television and reportedly made her television debut on the BBC program RadiOlympia Showtime in 1949. She garnered considerable fame throughout the United Kingdom for her work on the BBC radio comedy show Educating Archie (1950- 1952). In 1954 on the eve of her 19th birthday, Julie Andrews made her Broadway debut portraying Polly Browne in the already highly successful London musical The Boy Friend. To the critics, Andrews was the stand-out performer in the show. In November 1955 Andrews was signed to appear with Bing Crosby in what is regarded as the first made-for-television movie, High Tor.
In 1956 Julie Andrews appeared in the Frederick Loewe and Alan Jay Lerner musical My Fair Lady as Eliza Doolittle to Rex Harrison’s Henry Higgins. Richard Rodgers was so impressed with her talent that concurrent with her run in My Fair Lady she was featured in the Rodgers and Hammerstein television musical, Cinderella (Ralph Nelson, 1957). Cinderella was broadcast live and attracted an estimated 107 million viewers. She married set designer Tony Walton in 1959 in Weybridge, Surrey. They had first met in 1948 when Andrews was appearing at the London Casino in the show Humpty Dumpty. The couple filed for a divorce in 1967. In 1960 Lerner and Loewe again cast her in a period musical as Queen Guinevere in Camelot, with Richard Burton. However, movie studio head Jack Warner decided Andrews lacked sufficient name recognition for her casting in the film version of My Fair Lady; Eliza was played by the established film actress Audrey Hepburn instead. As Warner later recalled, the decision was easy, "In my business, I have to know who brings people and their money to a movie theatre box office. Audrey Hepburn had never made a financial flop." Andrews played the title role in Disney’s Mary Poppins (Robert Stevenson, 1964), a lavish musical fantasy that combined live-action and animation. Walt Disney had seen a performance of Camelot and thought Andrews would be perfect for the role of the British nanny who is "practically perfect in every way!" Andrews initially declined because of pregnancy, but Disney politely insisted. Andrews and her husband headed back to the United Kingdom in 1962 for the birth of daughter Emma Katherine Walton. As a result of her performance in Mary Poppins, Andrews won the 1964 Academy Award for Best Actress and the 1965 Golden Globe Award. She and her Mary Poppins co-stars also won the 1965 Grammy Award for Best Album for Children. As a measure of ‘sweet revenge’, as Poppins songwriter Richard M. Sherman put it, Andrews closed her acceptance speech at the Golden Globes by saying, "And, finally, my thanks to a man who made a wonderful movie and who made all this possible in the first place, Mr. Jack Warner." Next, she appeared opposite James Garner in The Americanization of Emily (Arthur Hiller, 1964), which she has described as her favourite film.
Now, Julie Andrews was a real star, and it was her star power that helped make her third film, The Sound of Music (Robert Wise, 1965), the highest-grossing movie of its day and one of the highest-grossing of all time. For her role as Maria von Trapp, she won her second Golden Globe Award in 1966 and was nominated for the 1965 Academy Award. After completing The Sound Of Music, Andrews appeared as a guest star on the NBC-TV variety series The Andy Williams Show, which gained her an Emmy nomination. She followed this with an Emmy Award-winning color special, The Julie Andrews Show in 1965. By the end of 1967, Andrews had appeared in the television special Cinderella; the biggest Broadway musical of its time, My Fair Lady; the largest-selling long-playing album, the original cast recording of My Fair Lady; the biggest hit in Disney’s history, Mary Poppins; the highest-grossing movie of 1966, Hawaii (George Roy Hill, 1966); the biggest and second-biggest hits in Universal’s history, Thoroughly Modern Millie (George Roy Hill, 1967) and Torn Curtain (Alfred Hitchcock, 1967); and the biggest hit in 20th Century Fox’s history The Sound of Music. Then Andrews appeared in Star! (Robert Wise, 1968), a biopic of Gertrude Lawrence, and Darling Lili (Blake Edwards, 1970), co-starring Rock Hudson, but both bombed at the box office. The problem was that audiences identified her with singing, sugary-sweet nannies and governesses, and could not accept her in dramatic roles. She married Blake Edwards in 1969. They adopted two children from Vietnam: Amy in 1974 and Joanna in 1975. She continued working in television. In 1969 she shared the spotlight with singer Harry Belafonte for an NBC-TV special, An Evening with Julie Andrews and Harry Belafonte. In 1971 she appeared as a guest for the Grand Opening Special of Walt Disney World, and that same year she and Carol Burnett headlined a CBS special, Julie and Carol At Lincoln Center. In 1972–1973, Andrews starred in her own television variety series, The Julie Andrews Hour, on the ABC network. The show won seven Emmy Awards, but was canceled after one season. Between 1973 and 1975, Andrews continued her association with ABC by headlining five variety specials for the network. She guest-starred on The Muppet Show in 1977 and appeared again with the Muppets on a CBS-TV special, Julie Andrews: One Step Into Spring, which aired in 1978. Then, she made a splash in the cinema with an appearance in 10 (1979), directed by husband Blake Edwards. He helped to keep her on the rise by directing her in subsequent roles that were entirely different from anything she had been seen in before. There was the film star Sally Miles who bared her breasts on-screen in S.O.B. (1981), the woman (Victoria Grant) playing a man (Count Victor Grezhinski) playing a woman in Victor Victoria (1982). On IMDb, Tommy Peter writes: “the sheer novelty of seeing Julie Andrews in these roles, not to mention her brilliant performances in both of them, undoubtedly helped make them successes”. Her roles in Victor/Victoria earned Andrews the 1983 Golden Globe Award for Best Actress, as well as a nomination for the 1982 Academy Award for Best Actress, her third Oscar nomination. In 1987 Andrews starred in an ABC Christmas special, Julie Andrews: The Sound Of Christmas, which went on to win five Emmy Awards. Two years later she was reunited for the third time with Carol Burnett for a variety special which aired on ABC in 1989.
In 1991 Julie Andrews made her television dramatic debut in the ABC made-for-TV movie, Our Sons (John Erman, 1991), co-starring Ann-Margret. The following year she starred in her first television sitcom, Julie (1992), which co-starred James Farentino. In 1995 she starred in the stage musical version of Victor/Victoria, her first appearance in a Broadway show in 35 years. She was forced to quit the show towards the end of the Broadway run in 1997 when she developed vocal problems. She subsequently underwent surgery to remove non-cancerous nodules from her throat and was left unable to sing. In 1999 she was reunited with James Garner for the CBS made-for-TV movie, One Special Night (Roger Young, 1999). In the 2000 New Year’s Honours, Andrews was made a Dame Commander of the Order of the British Empire (DBE). She had a career revival when she appeared in The Princess Diaries (Garry Marshall, 2001), her first Disney film since Mary Poppins (1964). She starred as Queen Clarisse Marie Renaldi and reprised the role in a sequel, The Princess Diaries 2: Royal Engagement (Garry Marshall, 2004). In The Princess Diaries 2, Andrews sang on film for the first time since having throat surgery. Andrews continued her association with Disney when she appeared as the nanny in two 2003 made-for-television movies based on the Eloise books, a series of children’s books by Kay Thompson about a child who lives in the Plaza Hotel in New York City. The same year she made her debut as a theatre director, directing a revival of The Boy Friend, the musical in which she made her 1954 Broadway debut. In 2004 Andrews performed the voice of Queen Lillian in the animated blockbuster Shrek 2 (2004), reprising the role for its sequels, Shrek the Third (2007) and Shrek Forever After (2010). She narrated Enchanted (Kevin Lima, 2007), a live-action Disney musical comedy that both poked fun and paid homage to classic Disney films such as Mary Poppins. In 2007 Andrews was honoured with the Lifetime Achievement Award at the Screen Actors Guild’s awards and stated that her goals included continuing to direct for the stage and possibly to produce her own Broadway musical. She published Home: A Memoir of My Early Years (2008), which she characterised as "part one" of her autobiography. Home chronicles her early years in UK’s music hall circuit and ends in 1962 with her winning the role of Mary Poppins. For a Walt Disney video release she again portrayed Mary Poppins and narrated the story of The Cat That Looked at a King in 2004. In 2010, Andrews made her London come-back after a 21 year absence (her last performance there was a Christmas concert at the Royal Festival Hall in 1989). Julie Andrews has long had something of a dual image, being both a family-friendly star and an icon for gays and lesbians. Andrews herself has acknowledged her strange status, commenting that "I’m that odd mixture of, on the one hand, being a gay icon and, on the other, having grandmas and parents grateful I’m around to be a babysitter for their kids."
Sources: Tommy Peter (IMDb), Wikipedia, and IMDb.
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